Photo Gallery: Through The Years

Five dancers in sleeveless hooded tops and mid-length pants form a human puzzle with their bodies.
Andrew Ritfield, Laurel Lawson, Sarah McKenna, Humlao Evans, and Lindy Dannelly in "A Bee in Ink' (2015). Photo by Bubba Carr.
Humlao, a male of Pacific Island descent, archs back deeply. He holds the hand of Laurel, a light skinned woman. Laurel, sitting in her wheelchair, extends her right arm up.
Humlao Evans and Laurel Lawson in "Touch" (2013)
Dancers from the year 2012 create the shape of mountain with their bodies and wheelchairs. Some dancers are parallel to the floor; others are vertical
Full Radius Dance company members (2012). Photo by Neil Dent.
Samir, a muscular pale skinned man, executes a head stand with the wheels of his chair towards the ceiling. Beside him, Renee a fair skinned female, is caught frozen in the air in a jump with her knees bent and arms extended.
Samir Jusupovic and Renee Beneteau (2012). Photo by Neil Dent.
Five dancers, with and without disabilities, pose in black costumes.
Left to Right: Teal Sherer, JoJo Butler, Nicola Ayoub, Douglas Scott, and Laurel Lawson (2004)
Teal Sherer, a white woman with short blonde hair who uses a wheelchair, extends her arm towards Jaehn Clare, almost touching her. Jaehn is a white woman with long brown hair that extends down her back. Jaehn is seated in her manual wheelchair.
Teal Sherer and Jaehn Clare in "Modern Love: 5 - 9" (Year TBD)
Ardath, a white woman with blonde hair, sits on Douglas' shoulder. She holds a star in her extended right arm. Douglas, a white man with a goatee, rests his hands on Tommy's shoulders. Tommy, a black man with a mustache, sits in his manual wheelchair holding a wooden bowl full of stars.
Ardath Prendergast, Douglas Scott, and Tommy Gates in "Stargazing" from "10 Things We Do in the Dark" (1998?)
Douglas is in a handstand on Teal's footplate. Teal looks away with her arm in an elegant curve. Next to Douglas and Teal, Charles holds Ardath above his head. Douglas and Ardath have their legs in an open, angled shape.
Douglas Scott, Teal Sherer, Charles Hooper, and Ardath Prendergast in a studio portrait (Year TBD).
In a black and white photo, six dancers in a pose inspired by ancient rituals. Two of the dancers shield the flames of candles from the wind.
From front to back: Ardath Prendergast, Gary Shetler, Colette Fuirer, Douglas Scott, Kris Cangelosi, and Margo Gathright-Dietrich in "Transcendence" (1997) Photo by Neil Dent.
Gary, an white male with a mustache and beard, is in wheelie with his knees facing to the right. Sandra, a mixed race female, is facing front with her hand on his shoulder. Her other hand rests on Tommy, a black male in a wheelie with his knees facing to the left. On the floor in front of this trio are Douglas, a white male with a goatee, and Ardath, a white female with blonde hair. Douglas lies on his back, his legs under Sandra's wheelchair. He holds her in a wheelier. He arches his back over Ardath, who lies on the floor.
Gary Shetler, Sandra LeBrun, Tommy Gates, Douglas Scott, and Ardath Prendergast of E=Motion (1996). Photo by the six member Margo Gathright-Dietrich.
Five dancers, one seated on the ground, two standing, one in a power wheelchair, and one in a manual chair stretch their arms out to the side. A basketball court and a city skyline is seen in the background.
Demonstration outdoors at Grady Homes with members of the Positive Motion Dance Class (1994?)
Two women and one man in Victorian dress.
Diane Lassila, Douglas Scott, and Cherie Carson costumed for "Oakland" - a site-specific work inspired by Victorian funeral imagery (1992).

Full Radius Dance on Film

The Arts of Disability (2023) - commissioned by Science Gallery Atlanta (SGA) at Emory University. The SGN consists of leading universities across the world united around a singular mission: to ignite creativity and discovery where science and art collide. SGA is currently the only international network member in the United States and is located in the greater Metro Atlanta region (Metro ATL).

Graphic with the words Exetension of Self. What it means to be human in a digital age.

"Extension of Self: a dance between human and digital” (2022), a film by Kevin Beasley. Made in collaboration with Full Radius Dance, Georgia Tech Arts, and Birney Robert.

Part of "Extension of Self: what it means to be human in a digital world",  August 8 – October 14, 2022.  Curated by Birney Robert

The words REEMERGE by Full Radius Dance are written in white against a splash of light blue. In the background, is a window, which provides the only light in a dark room.

Remerge: Part 1 of the Return series.  With Audio Description.

Julianna, a white woman in her 20's with her hair in a pigtail, is pictured leaping in the air. Her left hand is on the arm of an upholstered chair. A double window is in the background.

Remerge: Part 1 of the Return series. Without audio description.

Ashlee, a white woman with dark hair with a grey streak, is seen from neck up. Her arms are raised above her head. She looks at a small figurine of an elephant.

Reorganize: Part 2 of the Return series.

Peter, a mixed race male in his 30s, sits in his wheelchair with his arms gesturing to the side. In the background, Juliiana, a white woman in her 20's, sits high above Peter on a concrete ramp.

Restructure: Part 3 of the Return series. Without Audio Description.

The words Full Radius Dance Restructure are written in pink and blue on the grey concrete of a skatepark ramp.

Restructure: Part 3 of the Return Series. With Audio Description.